![]() “Corporate greed has got to go,” said Winters, 66. Vicki Winters, a standup comic who was picketing alongside the writers, played the drums as her colleagues marched. “In every industry people can see Wall Street and tech finding a way to make careers into gig jobs - so even though we do a very weird kind of job, writing, it’s easy for the layperson to see our jobs becoming gig jobs, and to see how that applies to their job as a nurse, or as a flight attendant, or as a construction worker.” “The things that we’re fighting for apply not just to the industry but to the entire economy,” Conlan said. Compared to previous strikes, it really feels like people understand what we’re doing and people still are really throwing their support behind us.” “We don’t want to be out of work,” said Conlan, 33, “but the mood is very high because we still have all this support after 100 days. Nicole Conlan, a striking comedy writer for “The Daily Show,” said that despite being on strike since May 2, she’s been so busy organizing on the picket lines that “I woke up today, the 100th day, and it feels like we’ve just started.” A steady stream of protesters - both writers and their actor allies in SAG-AFTRA - danced, pounded on drums and chanted slogans as they marched around the city block.īefitting writers, signs were markedly creative: “This Barbie is striking!!!” “Not Kenough.” “The only free writing you deserve is this sign.” “Writers make people happy (and sad).” And the simple: “No wages, no pages.” Outside the Netflix offices on Broadway in Manhattan, the scene had an upbeat feel. The Writers Guild of America held special pickets marking the 100th day in both New York and Los Angeles. This advertisement has not loaded yet, but your article continues below. Issues at play for both unions include the use of artificial intelligence and residuals related to streaming. Hollywood’s actors began their strike July 14, creating the first dual strike since 1960. Television networks are a month away from starting a new fall season, and broadcasters have already put contingency plans in place for programming that excludes their most popular scripted series. ![]() There’s no foreseeable end - a negotiating session last week involving Hollywood studios and streamers and the striking writers ended with little progress. film and television industries remain paralyzed by dual strikes by its actors and screenwriters. ![]() “We have the same two pages of proposals and the studios have not yet responded to all those proposals … so I guess until that happens, we’ll still be out here.” “Today is our 100th day of striking and we’re striking for the same thing we were on Day One, which is a fair contract,” he said. Activate your Online Access Now Article contentĪnd yes, said Iwinski, who has written for “The Late Show with Stephen Colbert,” “Last Week Tonight with John Oliver,” and other shows, 100 days is a long time - but he is prepared to strike as long as it takes. ![]() If you are a Home delivery print subscriber, unlimited online access is included in your subscription. ![]()
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